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Archive for March, 2009

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Stevie Stone
New Kid Comin’
 
Simmering deep in the middle of America is one of hip-hop’s best kept secrets. Poised and ready to dish and deliver is the 25-year-old Columbia, Missouri native nearly scientifically and all naturally composed of lyrical versatility, broad range, and diverse music. Liken him to hip-hop’s unprecedented bionic man, ready to leap through lyrics and bound through bass at any given moment. A hip-hop hero in the making, Stevie Stone is here to save the day. One spin around his aptly titled New Kid Comin’ album and you’ll understand why.
 
Before music became the center of his world, Stevie Stone was an enthusiastic baller, but not the type that immediately comes to mind.  Instead of a preoccupation with “bling,” physical education ruled his world. As a child, his extracurricular time was usurped primarily by basketball and secondarily football.  Stone was raised principally by his hard working mother along with his sisters but at the age of 13, he began spending time with his preacher father who resided in Iowa before passing some time ago. “I had my troubles for the most part, but my father really gave me balance and kept me doing productive stuff and going to church every Sunday,” Stone says about his early years. While Stone spent the majority of his free time active in athletics, music was always the underlying current in his life. “Music was really in my family. My mom plays the piano. My dad played the piano and all my siblings sing.” As Stone grew older and embarked on new paths, ripe with life altering decision making, hip-hop would become his sport of choice.
 
“Around high school, I was in between what I wanted to do. I had a scholarship to play basketball at a college in Iowa but music was pulling me,” Stone admits. It wasn’t until that fateful day in 2001 when Stone stepped on the stage and his future was ultimately determined for him. “It was the first time I performed at a live show,” Stone recollects, opening for several artists including fellow Missouri native Tech9, with whom he would later establish a brotherhood bond. “It was at the Fairgrounds in Fulton, Missouri and me and my clique got on because we knew the promoter of the show and had been making noise around town.” Stone felt the adrenaline of being on stage and everything else paled in comparison. “Once we got done with the set, I knew it was what I wanted to do.” Days after the show, Stone and his friends paraded around their neighborhood like regional rap stars. Living off the rush, Stone was impatient for what was next. And then everything seemed to stand still.
 
“The next week had come along and nothing was moving and that’s when I realized I had to get out and do some more footwork,” Stone admits humbly. For the next two years, he would pound the pavement, performing at talent shows, booking small concerts at local venues like Columbia’s Blue Note where most big artists came when passing through the town, and strengthening relationships with area entertainment industry folks. Stone reunited with Tech9 along the way and opened for him as well as Snoop Dogg, Bone Thugs-N-Harmony, and Murphy Lee in his hometown. As his popularity began to inflate, Stone made the decision to expand out to St. Louis. While recording at Phat Buddha studios in the Lou’, Stone was eventually recruited as an artist on their Fly Moves Production company roster. He soon recorded the battle anthem for the St. Louis Rams that was played in video and audio format at all the home games throughout the 2005-2006 season. In 2006, Stone traveled to Atlanta, after being accepted to showcase as an up and coming artist at the Billboard Hip-Hop and R&B Conference. It was there that Stone met Tomica Woods-Wright, CEO of the legendary Ruthless Records.  
 
“Tomica met with one of my production people and that was the first time that I caught wind that she liked my lingo and the original joints I had.” But she wouldn’t sign him on the spot. There was still work to be done. “A couple of months later, I was performing in St. Louis and Tomica was there with staff from Ruthless and they let me know they wanted to hear more music.” Stone immediately went back into the studio and effortlessly compiled more demos. By 2007, Tomica had heard enough. Stone was signed to Ruthless Records and the full on construction of his debut album New Kid Commin’ commenced.
 
Stone’s album is complete with smart and witty lyricism, neologisms known as “Himmi Hyme” come from Stone’s “Himmihyminary” (a dictionary of self-created lingo), bumping baselines, and an uncanny yet appealing sound that just cannot be pigeonholed.  From the title track and certified arrival anthem that boasts of impacting vocals over sparse yet percolating percussion to the dance-inciting, hard hitting, and hypnotizing melodic arrangement of “Rap Gamez Callin’,” Stone shows his dues debt has paid off. His first album and he’s already locked down collaborations with Murphy Lee on “Gotta Love G’s,” the St. Louis anthem with the contagious chorus, Tech9 on the head bobbing banger “Midwest Explosion,” and the iconic funk doctor George Clinton on the Stone’s remake of “Red Wine.” “That was a blessing,” Stone declares. “I did the joint (“Red Wine”) and the chief engineer on the song was able to get it to George Clinton.  George thought it was hot and offered to jump on it. We sent him the track and he sent us the finished files back. I believe he was in Moscow when we got the track back.” Now that’s a feat even the most talented of established artists would have a hard time accomplishing. ‘Nuff said? Just throw a cape on this man’s back because with the release of New Kid Comin’, Stevie Stone solidifies his spot as more than just a savior to hip-hop, he’s a certified superstar.  
 
Stevie Stone “Wait A Minute” video link: http://www.imeem.com/steviestone/video/MDxB6GW4/stevie-stone-wait-a-minute-music-video/
 
Full Screen: http://media.imeem.com/v/pks8yHkCKZ/aus=false

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New video from Krumb Snatcha, “Feelin” (produced by Da Beatminerz) taken from Krumb’s upcoming LP Hidden Scriptures.

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saigon__statik_selektah_allinadaysworkalbumcoverart All In A Day’s Work” was entirely produced by Statik Selektah and…..
–          The album was created, recorded, and produced in 1 day (24 hours)
–          The album will be released on Tuesday March 17th 2009 (the first time an LP has been created in 24 hours and released a week later in digital format and without the traditional 60-90 day setup).
–          The album will be released on a digitally only format
–          “All In A Days Work” is the precursor Saigon’s “Warning Shots 2” which is a prelude to his long awaited “Greatest Story Never Told” LP.
Both Saigon’s “All In A Day’s Work” and “Warning Shots 2” are signed to Amalgam Digital
 
CDQ DL Links:
 
DL link to Saigon & Statik Selektah’s “Spit”: http://www.zshare.net/audio/56876723b9507226/
 
DL Link to Saigon & Statik Selektah’s “The Rules”: http://www.zshare.net/audio/56876768f4aabe61/

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Big Pooh’s Delightful Bars Will Be Available In Four Different Versions And Features Guest Appearances By Jay Rock, Justus League and Production From Khrysis, Jake One, Illmind, 9th Wonder, Young RJ and OhNo
 
 
 
Big Pooh’s latest vehicle is a street-LP entitled, Delightful Bars, and there will be four different versions of Delightful Bars made accessible, including a special iTunes only version (referred to as the Candy Apple version), which will be released on 3-24-09 and the North American retail version of Delightful Bars (referred to as the North American Pie Version) will be released on 4-21-09. 
 
Tracklisting and credits for Big Pooh’s Delightful Bars:
 
North American Pie Version

1.) North American Pie Intro
2.) The Comeback (produced by Khrysis)
3.) Its A Go f/Torae (produced by Dae One)
4.) Nothing Less f/Ab Soul, Jay Rock & K Dot (produced by Young RJ)
5.) C.O.D. (produced by Mickey Free)
6.) Move f/ Darien Brockington (produced by Phonix)
7.) Something Like Stars f/ Big Treal (produced by Jake One)
8.) Step Up (produced by D.R.)
9.) Reality Check f/ Big Dho, D. Black & Mykestro (produced by Khrysis)
10.) Problems f/ Jozeemo (produced by Illmind)
11.) AMO A SU PAPI DE LA BARRA skit
12.) Roll Call f/  Jozeemo, Chaundon & Joe Scudda (produced by The Co-Op)
13.) The Life f/ Mushinah (produced by Khrysis)
14.) Rearview Mirror (produced by 9th Wonder)
15.) EMPANADA NORTE AMERICANA OUTRO
 
CANDY APPLE ITunes Version
 
1.) Intro
2.) The Release (produced by Illmind)
3.) Power f/ O. Dash (produced by Khrysis)
4.) The Comeback (produced by Khrysis)
5.) Radio (produced by OhNo)
6.) Hands Up f/ Chaundon and Roc C (produced by Khrysis)
7.) On The Real f/ Jozeemo and E. Ness (produced by Khrysis)
8.) Nothing Less f/ Ab Soul, Jay Rock and K. Dot (produced by Young RJ)
9.) Move f/ Darien Brockington (produced by Phonix)
10.) Roll Call f/ Jozeemo, Chaundon, and Joe Scudda (produced by The Co-Op)
11.) The Life f/ Mushinah (produced by Khrysis)
12.) Rearview Mirror (produced by 9th Wonder)
13.) OUTRO
 
DL link to Big Pooh’s “The Comeback” (produced by Khrysis): http://www.zshare.net/audio/5694176930db2e99/
 
 DL link to Big Pooh’s “Radio” (produced by OhNo):  http://www.zshare.net/audio/56941833301b9ff2/

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Rah Digga Featuring Busta Rhymes – Imperial

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NaS – One Mic

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Lord Finesse feat. Sadat X, Grand puba – “Actual Facts

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